In the seemingly endless string of zombie films out there, 2007’s indie horror comedy Fido is one that is painfully overlooked and it is difficult to understand why. This gee-whiz hunk of Americana cheese-whiz mixed up in the gooey zombie genre is such a fun little flick that it is baffling that horror fans don’t make more of a fuss about it. A sunny little Canadian picture directed by Andrew Currie, Fido ambles along on its ironic joke that finds zombies shuffling about a cheery 50’s era suburb but the hilarity doesn’t stop at the basic premise. This film has some gut-busting jokes that are neatly embedded in all the comic book chaos as well as knee-slapping nods to the B-movies that were all the rage in the Eisenhower era. Fido also works due to the touching spark between K’Sun Ray’s Timmy and Billy Connolly’s Fido, the friendliest and smartest zombie to lurch across the screen since Bub in Day of the Dead. While you will be beaming through about eighty-five percent of the picture, Fido does stumble a little at the end, which is a shame because things were going so swimmingly. Even if it stumbles, you will still be giggling as a happy-go-lucky tune from the atomic era bops along the soundtrack and the living dead munch on the entrails of the living. How can you argue with THAT?
Fido takes place in an alternate 1950’s universe where a radiation cloud from space has drifted to Earth and awoken the flesh hungry undead. Just in the nick of time, a company called ZomCom have invented a collar that suppresses the undead’s hunger for warm human flesh. In addition to the collars, ZomCom have erected massive fences that keep the zombies out of the small, picturesque towns that dot the United States. It has also become all the rage to “own” a zombie servant, one who serves you dinner and performs other mundane tasks around the house. It is in one of these small towns that we meet Timmy Robinson (played by K’Sun Ray), an inquisitive little boy who is bullied at school and largely ignored by his distracted father, Bill Robinson (played by Dylan Baker). Timmy does find some affection and attention from his wonderful mother, Helen Robinson (played by Carrie-Anne Moss). When one of ZomCom’s zombie control specialists moves in across the street from the Robinson’s, Helen notices that the family has six servant zombies. Embarrassed that she doesn’t have one, Helen goes out and gets Fido (played by Billy Connolly), which enrages Bill but delights Timmy. Timmy and Fido begin bonding but after a nasty accident in the park, the safety of their peaceful community is threatened.
Cleverly using the conformist 50’s as the backdrop, when it was heavily encouraged ship off to the suburbs and start a family, Fido suggests that conformity turns us all into mindless lurching zombies. It would make zombie godfather George Romero proud while it keeps the rest of us in stitches. The implication is a bit obvious at times, never as subtle as something Romero would have produced in his heyday but it is easily forgivable. Fido is also all dressed up as a cute 50’s B-movies that echoes the atomic willies that came out of the detonation of the atom bomb. The beginning of the film is a newsreel that looks like it could have been borrowed from a drive-in of yesterday, only a touch funnier and without the whole duck-and-cover advise from the optimistic, reassuring narrator. While it can be warm and fuzzy, Currie doesn’t forget the finishing touch, a touch that consists of bucks of fake blood and guts. The gore isn’t always here for the hell of it and Currie uses it to add to the heavy doses of irony. One scene finds a zombie getting shot right in the head in the middle of a sunny suburban street, where kids play, cars trudge by, and sundress clad housewives eagerly await the arrival of their husbands after a long day at the office (martinis ARE included). After we hear the gunshot, Currie cuts to a shot of brains and blood splattering all over a white picket fence and a bunch of flowers. It is perhaps the best shot in all of Fido.
Fido is also a success due to the performances from Moss, Ray, and Connolly, all who do a marvelous job in this little gem. Moss is wonderful as a housewife suffering from a severe case of ennui. She is a wonderful mother who is desperate to shake things up. Her lassitude with her money-obsessed husband is heartrending, mostly because she is filled with so much pent up warmth, warmth she transfers to both Timmy and Fido. Ray is also a joy as the curious Timmy, a target of neighborhood bullies who just longs for a buddy. Ray is so good as a quirky squirt that thinks outside the box and his chemistry with Fido is unbelievably strong. Thankfully, Connolly also picks up on the chemistry and plays off the young actor quite nicely. Fido is a cuddly ghoul who shrieks and moans over a thunderstorm and even rushes home to grab Helen when Timmy is in trouble. He’s like a cooler Lassie, with two legs, less hair, and more decaying flesh. Dylan Baker really gets into a groove as the cranky Bill, who hates to have his routine disrupted and loathes the shuffling Fido. Tim Blake Nelson shows up as Mr. Theopolis, an ex-employee of ZomCom who is romantically linked to his zombie servant Tammy (played by Sonja Bennett). Henry Czerny also drops by as ZomCom’s security chief Mr. Bottoms, a nasty piece of work who suspects that Timmy and Fido may be up to no good.
The last fifteen minutes of Fido is where things really go south. The climax erupts into tons of zombie pandemonium with one main character biting the dust. There really isn’t any emotional weight to the sequence but the laughs allow the clunky final act to keep its head above water. Things are brushed over a little too quickly for this guy’s tastes and it feels like the filmmakers almost ran out of money and had to condense the final moments. As far as the horror goes, things do get a bit tense but it never gets particularly freaky which was slightly disappointing. Still, the first hour and fifteen minutes of Fido are extremely sharp, from the set design all the way to the rapid-fire script from Currie, Robert Chomiak, and Dennis Heaton. The laughs are solid and the relationship between a boy and his zombie will work its way into your heart. For fans of the zombie genre, Fido is a must. Fans of the comedy genre, make sure to move Fido up to the top of your list. You will walk away more than satisfied.